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“Das Experiment” is actually based on a real event: an experiment conducted by Philip Zimbardo, in 1971, called “Stanford Prison Experiment”. It deals with one of the most studied concepts in psychology courses all around the world. This is one of the movies that really surprised me when I watched it a few years ago. Das Experiment (Oliver Hirschbiegel, 2001)
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The movie eventually has a happy ending, a bit uncommon in German movies.Īlso considered for this position were Was Frauen träumen (1933) by Géza von Bolváry Stürme der Leidenschaft (1932) by Robert Siodmak, one of the first film-noir ever made, which serve as inspiration for future film-noir Boom Boom Bang – Ein todsicheres Ding (1999) by Peter Thorwarth Der junge Törless (1966) by Volker Schlöndorff Der blaue Engel (1930) by Josef von Sternberg and Die Feuerzangenbowle (1944) by Helmut Weiss.Ģ9. The movie explores inequality and human nature, combined with a “corrupt” judicial system. It isn’t clear whether this judge and young lady actually love or even like each other, but this fact has to be hidden from the mother and her fiancé, not only to protect the girl, but also the position of this messy and escapist judge. The young lady is engaged to be married to a young man who is a bit slow and dumb. The owner of that jug is the mother of the girl with whom Jannings’ character was with. He plays a judge of a small village who tries to hide the fact that he broke a priceless jug the night before.
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Although a bit forgotten on these types of lists and a bit underrated when compared to many big names, this film has the legendary German actor Emil Jannings in one of his funniest roles. It was later adapted to several different currents of culture, including cinema. “Der zerbrochene Krug“ was originally a comedy written by playwright Heinrich von Kleist in 1808. Der zerbrochene Krug (Emil Jannings, 1937) Although it had a strange reception after World War II in terms of cinematographic output, perhaps due to the reality of the war, the industry was able to hold her head high and continue a path of success, namely after 1970.ģ0. From 1995 onward, the era was mixed with several types of movies, from drama to comedy films, from philosophical to historical-based films.įor this reason, the German film industry is one of the richest industries in the world. It was an era of drama and emotions, and filmmakers exploited those components inherent to human feelings. I dare say this was the worst era of the German film industry.įrom 1971 to 1994, it was an era of philosophical insight, with Fassbinder and Wenders as top directors and Klaus Kinski and Bruno Ganz as top actors. I dare say that at its time, this industry was the best, alongside the American film industry.įrom 1931 to 1945 they released mostly thriller and comedy films, but also there was an introduction of spoken films that mainly presented the reality of contemporary Germany, but it also was an era of propaganda films.įrom 1946 to 1970, the introduction of color films and the apathy of the film industry was a big contrast to the golden age of the Italian, Spanish or French film industries. They were mostly horror, sci-fi and experimental films this was also an era of expressionism. There are five different stages of the German film industry that comprise its entire history, if we assume 1915 as a reasonable beginning for a film industry.įrom 1915 to 1930, the German film industry was composed of silent films, which innovated and surprised the cinematographic world. The German language film industry is actually quite contrary to the norm, if you compare it to other film industries throughout Europe. It’s one of the most complex and complete film industries in the world.